5/1/2023 0 Comments Chicago columbian exposition"Mapping Enterprise: Cartography and Commodification at the 1893 World Columbian Exposition." Nineteenth Century Geographies Ed. Dean delves into this debate by bringing to light its historical context and by analyzing the design of several key buildings. "Revisiting the White City." Historical Preservation 45: 2 (1993): 42-49, 97-98.Īlthough the fair was lauded by critics of the day as a wonder of urban planning and architecture, in retrospect it can be seen as halting the development of modern and functional American architecture. Iowa and several other states decided to close their exhibits on Sundays, while the rest of the fair remained open. A debate arose over whether or not the World's Columbian Exposition should remain open on Sundays. Many states, including Iowa, had "blue laws" which made certain activities on the Christian Sabbath illegal. "Sundays at the Fair: Iowa and the Sunday Closing of the 1893 World's Columbian Exposition." Palimpsest 74: 4 (1993): 156-9. In her performances with Sullivan, the audience of the fair were rendered witnesses of Keller's consciousness. The psychologist Joseph Jastrow's pavilion at the 1893 Fair put Helen Keller and all of her struggles on display. "Helen Keller and the Mind's Eyewitness." Western Humanities Review 54:2 (Fall 2000): 108-23. Kemeys for the Art Institute of Chicago also contains information on the design of the sculptural decoration of the World's Columbian Exposition. "The Art Institute's Guardian Lions." Art Institute of Chicago Museum Studies 14 (1988): 46-55.Ĭlarke's brief history of the lions designed by Edward L. "Samuel Bond and the Crystal Palace Model." West Tennessee Historical Society Papers 41 (1987): 1-3. Feminist scholarship and interest in "The White City" have recently uncovered clues that may lead to their recovery. Unfortunately, the two murals, Modern Woman by Cassatt and Primitive Woman by MacMonnies, cannot be found. The murals painted by the two artists along with the building in which they were housed celebrated women and their progress. "Mary Cassatt and Mary Fairchild MacMonnies: The Search for Their 1893 Murals." American Art 8:1 (1994): 52-69. Carr, Carolyn Kinder and Sally Webster.Although her performance was one of the most popular, conservative critics attempted to censor it by demanding its closure. Ida Craddock was one such woman who spoke in defense of Fahreda Mahzar, also known as "Little Egypt," a belly dancer who performed at the "A Street in Cairo" exhibit at the world's fair. "Obscene, Lewd, and Lascivious: Ida Craddock and the Criminally Obscene Women of Chicago, 1873-1913." Michigan Historical Review 19: 1 (1993): 1-16.īurton addresses the prosecution of women during this period under the federal obscenity law. The article focuses on the use of photography for corporate display at the Exposition in order to show some of the complexities of the corporate image making process. "The Baltimore & Ohio and Pennsylvania Railroad Displays: Chicago World's Columbian Exposition, 1893." History of Photography 24:2 (Summer 2000): 155-162. The author asserts that this decision indicates the great amount of importance placed by the government on its representation at this type of venue. Instead of relying on commercial sources for documentation, the government decided to photograph its own exhibitions at the Chicago world's fair. Government Photographers at the World's Columbian Exposition, Chicago 1893." Prologue 29:3 (1997): 218-31. "Representing History: Performing the Columbian Exposition." Theatre Journal 54:4 (2002):589-606.Įxamines the 1893 Exposition, and particularly at performances of "Buffalo Bill's Wild West" show. Adams asserts that amusement parks and fairs have successfully promoted new technology because they are presented in a way that is "fun." Venues such as the Electricity Building and mechanisms like the moveable sidewalk and the Ferris wheel were some ways in which the benefits of electricity were demonstrated. "The Promotion of New Technology through Fun and Spectacle: Electricity at the World's Columbian Exposition." Journal of American Culture 18: 2 (1995): 45-55.Īlthough electricity was debuted at the 1876 exposition, it was not generally accepted and considered safe until its uses were promoted at the 1893 exposition. Page ~ Print Friendly Version World's Columbian Exhibition, Chicago 1893 Articles
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